Another note on using flash outdoors.

So many people don't use the flash on their cameras when shooting out doors during the day. Here's an excellent example of why you should.

This is my buddy Dawn modeling for me.

In this first example I don't use the flash and you can see the shadow on Dawn's face. I suppose I could make it lighter by post processing it, but why bother. Just pop up the little flash on top of the camera and take the photo the right way.

As you can see the flash filled in the shadow and Dawn's face is well exposed and you don't have to post process anything. So, to all you snapshooters out there, use your flash.

I had my cameras sensor cleaned right after I saw these photo's. Dawn does not have a spot on her face.

Four months since my last update... so much for the resolution to make a post a week.

I like High Dynamic Range images (HDRi.) I've read many pro's and con's about it and really don't care about them. I like it so I'm going to play with it.

HDR is taking multiple images (three to seven) at different exposer settings to get a wide range of light then layering them on top of each other and tone mapping the image. There is a way to do it in PhotoShop and Stuck in Customs has a good tutorial on how to do it. There are several other programs that do most of the work for you, all you have to do is some tone mapping. I use Dynamic Photo HDR. It's an inexpensive HDR program and is very easy to use.

I am told the concept came from photographing the inside of cathedrals and was used to capture the entire range of light. If a photographer set the exposure to get the light from the stained glass windows the rest of the room would be too dark in the shadows. If the exposure were set to light the entire room, the light from the windows would be blown out. So the concept is getting multiple exposures then layering them to get the entire range of light in one image. I'm sure that's an oversimplification of the concept, but it should be easy enough to understand.

Here is an example of using three frames at 0 ev, +1 ev and -1 ev.

This is the Albuquerque train station at Central and 1st ST, downtown.

0 EV Here you can see the front of the building is properly exposed, but the door and windows are dark.

+1 EV Over exposed by one step you can see the building is washed out, but the inside of the door and around the windows is properly exposed.

-1 EV Underexposed by one step you can see everything is dark. This layer will be to bring the highlights back to normal.

In each frame you can see the shadows and highlights look different. Now let's see what happens when they are layered onto each other.

You can see in this photo how the shadows in the door are now lit and the face of the building isn't blown out.

The easiest way to get the photo's is to use a camera that has an exposure bracketing mode. I've tried to do it with a camera that doesn't have bracketing and a tripod, but the results were three photo's that didn't quite match because the camera moved too much when I manually changed the EV for the three shots. Something I have found is if the shutter speed is fast enough I can take the photo's by hand holding my camera and setting the release mode to continuous advance.

Here's another interesting facet of HDR; you don't always need more than one frame. Here's a faux HDR photo of my brother using one frame and tone mapping (I get heavy handed with the tone mapping.)

HDRi has it's critics and isn't for everyone, but for those who do like it I hope this little post helps.

Another lesson from Pixel Pete

I read The Pixels in Pete's world every time he posts something and learn fun stuff from time to time. His latest is about a little gadget called Eye-Fi that uploads your photos directly to your computer over your modem.

http://peterphun.com/blog/2010/07/16/is-digital-photographymaking-me-lazy/comment-page-1/#comment-10615

The thing works as advertised, but it only comes in SD size and my favorite camera uses Compact Flash. Amazon to the rescue with a SD to CF adapter card.

I put it in my favorite Nikon, snapped a quick pic of my wife and a few seconds later it was on my laptop. I have heard there is supposed to be some kind of problems with this type adapter, but it worked perfectly for me.

Jim

Here's another in-situ studio shoot

I set up a studio in Chriss's garage, the same one I used in my last post (I just finally uploaded some of the photos to use in this blog because I finally figured out something to say.)

This was the same set up as my attempt to imitate Joe McNally and I see I should have moved the strobe with the silver umbrella from the top left behind them to low and in front of them. I'll remember that next time I get the chance for a shoot like this.

Team America!

It was a really fun shoot despite my fail at a Joe McNally shot.

Lighting; Learning from one of the best.

I like to read Joe McNally's blog and watch his videos because I love the way he uses his lights (I like to look at his photo's too.)

A couple of months ago I saw this http://www.joemcnally.com/blog/2010/03/16/santa-fe-first-day/ on his blog and wanted to try it myself. I sent one of the pix to my buddy Chriss and she was excited to try it too and after a couple of weeks we finally got together in her garage to give it a try.

I had Nikon SB600 flashes set on light stands on both sides of her level with her head, another SB600 above and behind her shooting into a silver umbrella and a silver reflector in front of her angled into her face (I ran out of flashes or would have used another instead of a reflector.) This is what I got on the first frame.

Chriss was so disappointed in the first shot she lost interest and wanted to get on with another shoot I was doing for her that night so I had to give up trying. Next chance I get I'm putting the silver umbrella low in front of her and the reflector over her head. I know it won't be "Joe McNally" quality, but it will help me develop my own style.

just a snap shot

I took my wife to breakfast at Wiley's Pub yesterday and we sat outside on the porch. I loved the way the sun lit up her hair and since I always have a camera with me I shot this.

I turned the flash down one step to avoid washing the whole thing out and left the camera in Program mode to take care of the rest.

setting up an in situ studio

I see I haven't posted in a couple of weeks so there's going to be two today. I've been feeling under the weather and haven't felt like doing much of anything lately anyway. My wife says it's because I'm retiring; maybe she's right.

My buddy Chriss has been in an exercise challenge for the past couple of months and needed photo's of her and her partner as part of the "before and after" shots. She's in the National Guard and has drill this weekend so she was going to miss the regular photo shoot at her gym and asked me to help her out.

I don't have a studio (and really don't like studio shoots anyway) so we found a conference room to use.

We taped a white sheet to the wall and laid another one on the floor to use as a back drop. I had two speed lights set up with an easel to use as a reflector. I ended up adding another light in place of the easel and laying a silver reflector on the floor in front of them propped up on my camera bag.

Here's a shot of me testing the light.

and here are a couple of photo's of Chriss and Garry doing their poses for the contest they were in.

Good luck guys!

When 'you' want to be in the photo

How many times has it happened, you're out with friends snapping photo's and realize you aren't getting any with you in the frame. So you hand your camera to a buddy to get a pic with another buddy and this is what he/she hands back to you.

I have several examples of this where the background is in perfect focus and the subjects, me and my buddy, are out of focus, framed incorrectly, not zoomed, etc...

Most folks have a digital camera of some sort or another; a few even have an entry level DSLR. I have yet to see any of them carry their camera's or pull them out to take a photo. When I ask them where their camera is the constant answer I get is "in my desk/closet at home." If you own a digital camera, get it out and some fresh batteries in it and start carrying it with you. You will enjoy looking at the photo's you make in later years and can even have fun posting them to the web.

I was finally able to teach Sergeant Maxon how to focus lock and recompose after about 5 minutes and 20 frames and here's how he did.

Not too shabby I'd say.

This post was supposed to be about focus/exposure lock, but it took off on it's own path. I'll do that post next.

Fill Flash or using your flash outdoors

The weather decided Albuquerque needs snow in the middle of March so I decided to take the wife over to Imbibe (a local pub) for a Mai Tai. If we can't have sun, we can make believe we're in a sunny place like Oahu. Here I snapped the wife as she was getting in the car.



You can see how the flash filled in what would have been a dark photo and brightened her up.

Here you can see the snow flakes falling (they were really more like snow lumps than flakes.)

And my lovely wife finally got her Mai Tai after putting up with me taking photos the entire trip.

Vibration Reduction lens and 'does it work?'

My lovely wife and I were at Sneakerz Bar and Grill one night and I saw a nice rose plant. It was kinda far from where I was sitting (and drinking a beer) and I had my 18-200mm lens opened all the way to 200. Settings used; Exposure 0.5sec, Aperture f/5.6, Zoom 200 and ISO 800 for both photo's (these mean little to me, but there are people who want to know this stuff.)



You can see there's a lot of blur in the photo. So I turned the VR (Vibration Reduction) on and snapped again.



I'd say from these two samples, VR works and works well in low light. Get one if you have the means.

P.S. clicking any of the photos in this blog will take you to my Flickr page.